Daniel Baldwin Gets His Game On

November 7th, 2017 from RadioInk.com

ESPN Syracuse has created a new local sports talk show featuring actor Daniel Baldwin. The Daniel Baldwin Show airs from 3 p.m. to 4 p.m., Monday through Friday. Baldwin is the main host, joined in studio by co-host Josh Grosvent, who is also the host of The Show mornings on K-ROCK (WKRL-FM and WKLL-FM).

 Ed Levine, Galaxy Communications CEO, said, “The Daniel Baldwin Show does not fit into the typical sports show mold. Although Daniel knows every bit of his X’s and O’s, he will weave stories in around the scores. The show has a spontaneous and fun feel. Think of it as intermission to your day of sports talk.”

The Daniel Baldwin Show on ESPN Syracuse is heard at 97.7 and 100.1 FM, 1200 and 1440 AM, and online at www.espnsyracuse.com.


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April 3rd, 2017 by Inside Radio

Companies have used HD Radio side channels to create innovative content that is flowing well and easily through their respective markets. However, the overall monetization plans for these extra frequencies? That’s more like an inconsistent drip. But among the trendsetters, some profit ideas are already in the pipeline.

One of the industry’s marquee success story belongs to Saga Communications, a longtime champion of the space. CEO Ed Christian has consistently touted HD’s potential, so much so that he coined the term “metro station” to define new outlets launched by the company on HD radio-fed FM translators. Christian has also consistently lauded his company’s crafty “The Outlaw“ classic country format, now in six markets—Des Moines, Asheville, Springfield, IL, Jonesboro, Clarksville, TN and Manchester, NH—and spreading, all via HD side channels and FM translators.

“There’s real money there,” Christian recently told Inside Radio. “One of our HD metro stations billed about a half-million dollars last year, revenue that we would not have without it.” Saga COO/executive VP of operations Warren Lada is equally bullish: “Metro stations either fill a void format-wise, complement an existing format or act as spoilers. As such, it gives us an incredible opportunity to promote the stations and monetize the investment.”

CBS Radio, which has launched 130+ HD side channels, is also exploring creative sales approaches. “HD Radio has been around a long time, but it’s relatively nascent as we explore approaches to monetization,” VP of Programming Jeff Sottolano tells Inside Radio. “We recognize there is no such thing as a one-size-fits-all approach.” Thus, the radio giant has sized up the ways that work best for them. CBS has found success in some markets selling on-air spots on side channels in the traditional way—as a complement to AM/FM buys. And Sottolano adds that signing one brand to sponsor a channel has been a win-win.

Case in point: In Philadelphia, Sottolano helped launch “Phillies 24/7” on the HD-4 channel of classic hits “98.1” WOGL, sister to sports WIP-FM, which has broadcast rights for the baseball franchise. “The channel is unique with team replays, condensed game versions, Phillies daily and weekly talk shows exclusive to the channel,” Sottolano says. “From a monetization perspective, we have been successful in presenting a single partner.” In 2017, it is RE/MAX.

CBS complements the sponsor buy with promotion on its Philly AM/FM stations, digital assets and social media. Sottolano adds, “It’s much like any 360-degree title sponsorship.” And providing added value, the Phillies 24/7 website is kind enough to provide a link: “Don’t know what HD Radio is? Click HERE to find out more.”

Also breaking revenue ground with HD is Nashville-based Cromwell Radio Group. Owner Bud Walters insists that HD side channels need not suffer any kind of inferiority complex among radio sales teams. “These original formats are ‘real’ radio stations providing alternative program choices,” he says. “In Decatur, we are getting listenership and ratings. We sell them just like full-power stations and do not push [the term] HD. Our stations are all streamed and have websites and apps.”

Galaxy Communications’ Syracuse NY classic rock “TK 99” WTKW airs ESPN on its HD-2 channel, which also broadcasts on WTLA (1200). Says the company’s Syracuse Market manager/director of Sales Steve Vasick, “This has allowed us to generate significant sports marketing revenue through sponsorships of local sports talk shows, exclusive broadcasts of NCAA tournament coverage and specialty ‘On the Road’ and pregame coverage of Syracuse University Athletics and Yankees baseball.”

The ESPN AM/FM combo allows coverage, such as the NCAA tournament on AM, while the FM could, for example, broadcast a local talk show covering breaking news about Syracuse University basketball. “This is a luxury afforded us by creatively utilizing the HD side channel. It has given us an outlet for programming that we previously had no place to broadcast,” Vasick says.

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April 3rd, 2017 by Inside Radio

HD Radio side channels have long been the industry’s hidden treasure. Mind you, that’s not necessarily a good thing. However, a decade after additional frequencies across the FM dial were first embraced, remarkable HD innovations are helping promote a bounty of new voices, and in some cases, new profits.

Outlaw Country and Pride Radio. Mother Trucker Radio and ESPN Deportes. HD side channels—which first came courtesy of the likes of iHeartMedia, Cox, CBS Radio and Saga—have historically been curiously hit and miss among radio groups small and large, and in markets great and small.

But companies have now come to recognize the across-the-dial potential of the channels. Among the currently welcome options: testing niche formats, cross-promoting established brands with complementary genres, flanking competitors, foreign-language formats that reach an underserved demo, reaching out to the 55+ demo, bringing back beloved formats such as smooth jazz, and/or reviving stamped-out heritage brands. Impressive? Yes. And there are craftier applications to come.

They’ll join a growing field—2,400 U.S. radio stations have upgraded to HD Radio Technology, according to statistics provided to Inside Radio by Xperi (which now owns the HD technology developed by iBiquity). Out of those 2,400 stations broadcasting in HD, there are 1,700+ multicast HD channels, including 1,300 HD-2, 400 HD-3 and 60 HD-4 frequencies.

Juan Galdamez, Xperi’s product marketing director for Automotive and HD Radio Technology, offers a fundamental point: “If you add a unique format to a market, there are additional listeners and dollars that come into a marketplace from those not currently involved with radio, both on the listener and the advertiser side. You don’t rob Peter to pay Paul by adding a new way to serve underserved listeners.”

Adds Becky Brenner, a partner with consultancy Albright & O’Malley & Brenner, “The possibilities are limitless; it is just a matter of resources. There is so much going on, with classic versions of the mainstream signal, all live cuts, all local music, long-form talk that’s an extension of the primary signal, comedy, block programming for religious/cultural programming….” And this: Jacobs Media founder and CEO Fred Jacobs suggests that radio groups can add value from side channels as an on-air training tool to audition and groom future talent.

Another potential application is to keep younger listeners interested in the radio dial. Mike McVay, senior VP Content & Programming for Cumulus/Westwood One, says, “For our spoken word news/talk and sports formats on AM, we have an opportunity to simulcast on the FM/HD band. It is clear to us that if AM talk stations want to attract younger listeners they need to be on the FM band. Alexa, Google Home and the connected car do not discriminate, but most other receivers do. We are always exploring other formatic opportunities as well as a more youthful Millennial-targeted news/talk product.”

Among the majors, iHeartMedia, CBS Radio and ESPN continue to take the HD bull by the horns. For instance, ESPN Deportes airs on seven HD side channels via simulcasts with FM and AM primary stations.“We have been an ardent supporter of HD Radio since its inception,” says Jeff Sottolano, VP of Programming for CBS Radio, which has 130 side channels on the air currently. “As the technology has evolved and the distribution platform has increased, we have an opportunity to reach more listeners.”

As examples, CBS Radio extended the brand of its heritage Chicago triple-A WXRT with a side channel offering a complementary indie-based new music format. Likewise, modern rock KROQ-FM Los Angeles provides side channel “rock of the 80s throwback” that harkens back to the music the seminal station played in its formative years. And in Washington/Baltimore, the once iconic modern rock WHFS—whose 99.1 frequency now airs the antithesis as a Bloomberg Business affiliate—was brought back to life by CBS on WWMX-HD2 at 106.5 and via translator at 104.9.

Galaxy Communications, which owns eight stations in Syracuse, NY and six in Utica, NY, is taking advantage of the FCC’s ruling to allow FM translators to rebroadcast AM stations and HD Radio side channels “to deliver more programming content for listeners and advertisers,” says Steve Vasick, market manager and director of Sales in Syracuse. In Utica, it uses an HD side channel of “K-Rock” WKLL to feed “99.1 Tony FM” on Utica-licensed translator W256AJ.

The side channel is allowing the radio group to test new strategies. “Tony FM has limited commercial interruptions, with just one break per hour, which benefits listeners and advertisers,” Vasick says. “To maximize the impact for advertisers, we are selling the station to a limited number of local advertisers—similar to an underwriting sponsorship—and their spots rotate through the break. This affords the advertiser a level of exclusivity, and allows their message to break the ‘clutter’ of traditional commercial radio stations.”

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Crowd Funding

By Fred Jacobs, The Financial Manager magazine

Some radio broadcasters are GENERATING SERIOUS MONEY from events.  Despite some failures, the industry is learning how to make them pay off.

WITH RADIO’S TRADITIONAL ADVERTISING revenue stream under increasing pressures, there’s a growing curiosity about how to bump up the bottom line with non-traditional revenue opportunities.  Within that NTR category is one prospect that’s proved to be a vein of gold for some, and an abject lesson in failure for others: special events.

The events come in many different forms: food fairs, wedding fashion markets, music festivals, even amusement- park type extravaganzas.  Enough information has accumulated about why some succeed, and others fail, to draw some conclusions about when it makes sense to delve into this sexy, but sometimes risky, line of business.

In the past, the category has been somewhat elusive for many radio stations because it requires a high level of expertise, financial investment, as well as the need to take risks.  For decades, radio has been an integral partner in event promotion, but in most cases the events were owned by third party, like concert promoters or cities and municipalities.

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Galaxy Communications Inks Gen Media Partners As New National Ad Sales Rep

GALAXY COMMUNICATIONS, the central NEW YORK station group run by ED LEVINE, has inked a deal for GEN MEDIA PARTNERS to be its new national advertising sales representative.

GEN CEO KEVIN GARRITY said, “We are delighted to welcome ED and GALAXY COMMUNICATIONS to GEN MEDIA PARTNERS.  ED’s team is known for creatively utilizing all of their assets to connect advertisers with loyal listeners. Our independent position in national representation allows us to super-serve ED’s stations, working in partnership with his team to bring robust opportunities to national agencies and brands.”

“We are very pleased to move GALAXY’s national business to the leading independent rep firm in radio,” added LEVINE. “I will sleep better at night knowing that I’m not relying on my direct competitor to oversee my national business any longer. GEN MEDIA‘s independent standing aligns with GALAXY’s, and their experienced team knows how to increase national revenue for the independent broadcaster.

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